More sketches from a film, this time, the classic Orson Welles' The Stranger (1946). With risky perspectives and impossible shots. Fantastic, as usual in Orson's films.
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Illustration, animation, story-board, colour, painting, drawing, sketch, doodle, flash and more.
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11 comments:
Great story boarding! I will have to see the film. - Your strenght is is very strong, i like the art deco feel!
Great studies! We do have a similar sensibility. These are great little compostion studies. Most people just watch films mindlessly. It's great to study the classics!
thanks for stopping by my site, I'll definitely be stopping by yours often.
Esto lo haces con el pause apretado me imagino, sino es q estas hecho una maquina.
Me encanta cuando haces post de estos!!!!
MoooOOOOOOooola
Con el pause, con el pause, claro..aunque últimamente, como estoy entrenado, me cunde más y voy a toda leche.
La verdad es que coges una peli(decente) y te metes una sesión de estas y se aprende un huevo.
Increibles las sombras, la iluminación y la atmosfera. Chato, muy buen trabajo
Hello ^_^ I've just "tagged" you to write 20 facts about yourself! Can't wait to read them! Tah tah ~
Great storyboarding studies...A Clockwork Orange...Cinema Paradiso, as for Clockwork, I agree with you every shot is like a lesson learnt and relearn. Sometimes it will move to even make one insane.
Cheers!!!
Me encantan los tonos que le diste. Genial!!!
These boards are great. Were they a personal excercise? Perspectives work well.
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